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  "PageContent": "<h3>Fraser Sherman's Blog | Fantasy and film reference writer.</h3>Not only that, the two movies I watched last weekend both ran 2.5 hours. Only one of them was worth the running time, though.A number of people consider RIO BRAVO (1959) Howard Hawks’ last great film (cowritten by Brackett and Jules Furthman). I loved when I first caught it years ago; it doesn’t hold up as well on rewatching as Red River did but that may have been my mood that afternoon. Things have been so hectic this month, it’s harder to relax and go with the movie flow.The opening is certainly striking, more so for being silent. Dude (Dean Martin), a deputy and gunman undone by drink (he crawled into the bottle after his wife ran off) stares into a saloon. Slimy bad man Burdette (Claude Akins) offers him a silver dollar to buy some booze, then drops it into the saloon spittoon. Dude (back then the name referred to a fancy dresser, which presumably Martin was before he became a lush) is almost ready to stick his hand in when Sheriff John T. Chance (John Wayne) shows up and stops him. That prompts one of the barflies to stand up to Burdette, who guns him down. Chance and Dude bust Burdette, who’s unfazed — his wealthy brother won’t let him suffer any consequences and won’t care who gets hurt. And it’s six days until a US Marshal arrives to take custody of the killer …This is something of an anti-High Noon. Hawks thought the premise of that film — Gary Cooper’s sheriff trying to form a posse against a gang of killers — was ridiculous; a group of farmers and storekeepers don’t stand a chance against a band of professionals. Hawks liked his protagonists competent and professional and Cooper didn’t measure up. Here, John T. dismisses the idea out of hand; he’ll do his best to survive with Dude and cantakerous deputy Stumpy (Walter Brennan), come what may. Colorado (Ricky Nelson) has the skills to help but he sticks his neck out for nobody; John T. approves (“Smart kid.”). Then there’s Feathers (Angie Dickinson), a chattering gambler who shows up on the stage and insists on sticking around for Chance, even if the odds are against him living long enough for anything to happen.There are lots of elements echoing earlier Hawks movies here. Tough, competent men under pressure. A bantering relationship between an awkward male lead and a more assertive woman. People constantly having to prove themselves (John T. likes testing everyone). I think one reason it threw me off is that the character arcs — Dude struggling to stay off the booze, Feathers/John T. — are more important than the supposed threat of the Burdettes. That said, it’s still enjoyable, though Ricky Nelson and Dickinson ain’t much as actors. And may I say that is one terrific poster. “We’re all fools. We ought to get along very well together.”In Films of Howard Hawks, Donald C. Willis says HATARI! (1962) is Hawks’ worst film, the one Willis would bring up if he wanted to prove Hawks was largely talentless. Can’t say I disagree.Sean Mercer (Wayne again) leads a team of men working in Africa to capture animals for American zoos, variously including Pockets (Red Buttons), the Indian (Bruce Cabot) and Brandy (Michelle Girardon), the daughter of their former boss. Trouble erupts because a)Brandy, whom they’ve known since childhood, is very obviously a woman now, and b)the “Dallas” the zoo hired to photograph the team’s work turns out to be another very obvious woman (Elsa Martinelli) who finds Sean attractive but frustrating; burned by his ex, he refuses to make a move so she has to do the work (“Do you prefer your kisses fast or slow?”).As Willis says, these feel less like Howard Hawks characters and more like character who’ve watched lots of Hawks films and are trying to imitate them. We have the tough band of men, a flirtation that works much less well than in Rio Bravo, a constant risk of death, rivalry over a woman, a climax with baby elephants that reminds me of Bringing Up Baby …and it all falls flat. I might not be a huge fan of Angie Dickinson’s actions but I bought Feathers falling for Sheriff Chance; here I can’t swallow Dallas/Sean, nor Pockets/Brandy. Pockets is supposed to be a likable comic-relief sidekick but for whatever reason Buttons can’t pull off the role. The one good thing in the film is the gorgeous wildlife photography. It’s not enough. Oh, and while it’s only a minor weakness, it’s annoying Brackett and Hawks got their blood types wrong (someone with AB negative blood is rare, but B, O and A negative blood can all be given to such a recipient). “Rhinos, elephants, buffalo — and a greenhorn.”All rights to images remain with current holders.",
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